Join our family of curious Kansas Citians

Discover unheard stories about Kansas City, every Thursday.

Thank you for subscribing!

Check your inbox, you should see something from us.

Sign Me Up

Excuse the interruption.

Like what you see? For more stories like this, sign up for our newsletter. It drops in your inbox every Thursday.

Thank you for subscribing!

Check your inbox, you should see something from us.

Sign Me Up
Hit enter to search or ESC to close
Home | Video Series | Art House | Art House Review | “Parasite”

Art House Review | “Parasite”

Art House Extra

When you see “Parasite,” Flatland’s John McGrath advises you to check your expectations at the ticket booth.

The latest film from South Korean director Bong Joon-ho has been marketed as a thriller – a pretty neat marketing trick. The subtitled art film has been a bust-out commercial success, pulling in more than $125 million worldwide since it was released in May.

The movie also has charmed critics, earning winning the Palme d’Or at the Cannes Film Festival and showing up on many critics’ lists of the best films of 2019.

But here’s the thing: “Parasite” is much more than a mere thriller designed to shift tickets.

“There is a twist,’’ McGrath said. “But it’s mainly about the class struggle in South Korea.”

So, let’s summarize. It’s marketed as a thriller, yet it’s really about class struggle. It’s an unabashed art film, yet it’s shifting a boatload of tickets. That’s enough art-versus-commerce contradictions to set Karl Marx’s head spinning.

Check out McGrath’s full review in the attached video.


Tags:

Leave a Reply

Your email address will not be published. Required fields are marked *

e.g. - 001, 02, etc.
(you can also type a custom label such as "Chapter 1" or "Preview")